New Faces: Jihyun Kim

Each quarter, we introduce you to the makers and awardees who have taken up studios spaces over the last few months in our NEW FACES Journal series. This month, we caught up with new Cockpit maker Jihyun Kim her about her work, process and inspiration.

Jihyun is a ceramics designer from South Korea who joined us at Cockpit Deptford this spring on the Rosalind Stracey Ceramic Award. Her creations beautifully blend sculptural and functional elements and are inspired by her cultural heritage and nature’s mystical aspects.

Image: Jihyun Kim in her studio at Cockpit Deptford, photo by Nadia Abatorab-Manikowska.

Tell us about your work & inspiration.

My work blends functionality and sculptural artistry, drawing heavily from Korean folklore and the natural world. Growing up, I was immersed in superstitions and folk tales shared by my grandmother. This rich cultural heritage deeply influences my creations, which aim to evoke a sense of the magical and mystical boundaries within our everyday lives. I create pieces that not only serve practical purposes but also tell a story and bring a touch of magic into people’s homes.

How did you get into ceramics?

My journey into ceramics began during my BA studies in Korea. Initially, I aspired to become an illustrator or graphic designer, but my encounter with clay opened up a new world for me. The process of transforming raw clay into delicate yet durable ceramics through firing was mesmerizing. This new medium allowed me to bring my imagination to life in a tangible form, sparking my passion and guiding me toward a career as a ceramicist.

How did you come to be a maker at Cockpit?

After completing my studies at the Royal College of Art, I sought a vibrant and supportive environment to further develop my craft and build my own ceramic brand. Cockpit offered the perfect blend of community, resources, and exceptional business mentoring from outstanding professionals.

I had a clear vision of my goals as an emerging ceramicist, which I shared in my application for the Rosalind Stracey Ceramic Award. Joining Cockpit has enabled me to deepen my understanding of the business side of craft and connect with a network of like-minded makers, fostering both my artistic and entrepreneurial growth.

How has being at Cockpit affected the development of your practice and business so far?

Being at Cockpit has profoundly impacted my practice and business. The free access to a spacious studio has enabled me to produce high-quality work without the burden of financial stress. The ‘Make it Count’ workshop equipped me with essential business skills and connected me with fellow makers facing similar challenges. This shared learning and support have been invaluable.

The community at Cockpit, including experienced business mentors, has provided crucial feedback and guidance.

Image: Jihyun Kim in her studio at Cockpit Deptford, photo by Nadia Abatorab-Manikowska..

What would you like to be your legacy in the world of craft?

I hope my legacy in the world of craft will be about blending Korean tradition with contemporary interpretation. I aspire to be remembered for creating pieces that are not only beautiful and functional but also rich in cultural narratives and magical elements. My goal is to inspire others to see the enchantment in everyday life and to appreciate the deep cultural roots that connect us all.

By using experimental glazing and firing techniques, I aim to demonstrate to the next generation that there are no limits in ceramics. I want to show that the boundaries between glaze, clay and glass can be wonderfully blurred, opening up endless possibilities for creative expression.

How can someone buy or commission your work?

My work is available for purchase through my website, as well as at select galleries and exhibitions. For commissions, clients can reach out to me directly via email or Instagram. I enjoy collaborating with clients to create bespoke pieces that uniquely reflect both their stories and tastes, as well as my artistic vision.

What’s next for you?

I am currently exploring new projects inspired by Korean shamanistic items, such as the Myungdoo, a sacred convex mirror embodying celestial power. Additionally, I am experimenting with various forms and scales for my “Salty Fairy Ring” series, which promises immense potential for both design innovation and technical development. I am excited to continue pushing the boundaries of my craft and bringing new, beautiful creations to life.

In terms of my ceramic business, I am in the process of building an online shop to reach a broader international audience and make it easier for both online and offline customers to purchase my work.

Read our NEW FACES Journal series here.

Explore the complete directory of Cockpit makers here.